Takskiwin is a type of martial dance found in the western High Atlas mountain range in Central Morocco. While performing the Tiskt (or Tiskthorn) each dancer is richly decorated and shrugs their shoulders to the rhythm of timbales and flutes. These horns are used as a social tool to foster harmony and social cohesion within the community.
Taskiwin's dance is theatrical performance: with gestures and rhythms, each act describes an episode in a war. At least 20 men are required for the dance. They wear powder horns and red shoulder straps, dance with rhythmic steps, and move in a frenzied manner. The trance-like dance involves shoulders that vibrate to the rhythm of tambourines.
Under the orchestral instructions of Rais, the dance maestro, the mellow tone of the flute guides the movement from one rhythm to another. While Taskiwine is predominantly a male dance, it often turns into a more casual celebration in relaxed moments when unmarried girls start dancing and singing. This dance stage gives it the chance to express itself in a free-wheeling manner, abandoning its warrior connotations.
The prose of Taskiwine is also one of its notable aspects. By using the rhythms, martial gestures, and sounds, the lyrics reflect the principles of heroism, courage, bravery, and strength. The prose also hints at the various episodes of the war by suggesting different aspects of combat: anticipation, taking positions, assault, withdrawal, and victory. This dance also demonstrates the importance given to the cohesion of the tribe. The rhythm encourages dancers to give up self-interest for the sake of the whole.
Because of several factors, the dance is now limited to a small number of villages and is in danger of disappearing. As a result of globalization, young people are now disdainful of traditional heritage in favor of modern artistic practices. As a result, several communities are no longer practicing the dance, and the remaining enthusiasts and bearers are unable to find students to whom they can pass on their know-how. The skills involved in the creation of the instruments and accessories are also in decline.
Nevertheless, there is a collective awareness among some communities that they must make sure of Taskiwin's viability. In 1993, the first dedicated association was created in this region. Other villages followed suit, and several local associations are now being created.