Sega Tambour is a performance composed of song, dance, and rhythm, with roots in slave communities on Rodrigues Island. The main percussion, the tambour, is pounded energetically, while the triyang is hit from the side, as well as the bwat and mayos.
The drum is made from rudimentary objects which, while responding to ecological concerns, are readily available. This is consistent with the objective of the preservation of traditions and sustainable development that is that of UNESCO according to the 2003 convention.
The Sega Tambour dates back to the 18th century in Rodrigua, and is a reflection of the resistance of the slaves, who began gathering around songs, dances, and rhythmic music to express their defiance against slavery and dominion. It is also said to strengthen ties within the community and resolve conflicts.
Thus, it is a vital part of the Rodriguan landscape. It is therefore a return to basics that helps to keep the benchmark while promoting respect for cultural diversity and human creativity. More than a symbol, the Sega Tambour is the very soul of Rodrigues.
On Rodrigues Island, Sega Tambour can be performed at formal and informal functions. It is performed indoors including in the house and also on the streets, primarily by members of the Rodrigues community as well as by diaspora on the island of Mauritius, where it is also performed.
The art form is accessible to anyone regardless of age, gender, or status. Sega Tambour has roots in defiance and resilience, which facilitate conflict resolution, foster socialization, and consolidate bonds. The Rodriguan government recognizes it as a symbol of their history.
Throughout the generations, the tradition of Sega Tambour is passed down from one generation to the next by elders, groups, and training schools helping. The particularity of Sega Tambour is the lyrics. it tells the truth about their experiences, reviving and revaluing their culture. However, this is the way how they are preserving this ancestral art until today.
In addition, a dedicated NGO works to preserve Sega Tambour, and since the 1970s numerous groups have sprung up to perform this element. Competitions and rehearsals have been held in community centers, and the element is performed in tourism facilities, which contributes to local economic development. Youngsters learn the craft by imitation and observation of elders, while instruments are made by apprentices under the supervision of experienced craftspeople.