There has been a long tradition of ceramic arts in Uzbekistan. In the 8th century, the green glaze was used on the first ceramic glazed with a glaze. Since all the major ceramic centers of Central Asia were established in the 19th century in Uzbekistan, Uzbekistan's ceramics are the core of the craft throughout Central Asia. Based on their execution technique, ceramics are divided into unglazed and glazed ceramics. Unglazed ceramics preserve authentic technologies and artistic techniques. Currently, it is represented by large household products used by rural families. In addition to hums (large dishes for storing food and water), tandoor ovens for baking cakes, and jugs, craftsmen make everything by hand. Unglazed ceramics can also be referred to as clay-painted toys. Ceramics that are glazed are of the greatest artistic interest, having followed a difficult path over the course of history.
First of all, this art has been passed down from generation to generation, from master to apprentice, from father to son, and from grandfather to grandson. However, nowadays knowledge is increasingly passed down to young people in the local community, whether related to the craftsman or not. A growing number of non-formal education groups have also developed in Uzbekistan. These include art schools and free community art circles where master potters share their knowledge with young people. Moreover, knowledge is transmitted through formal education in schools such as universities, colleges, and art schools.
As of 2008, Uzbekistan has become a member of the 2003 UNESCO Convention. It gave a powerful impetus to the process by undertaking a comprehensive study and documenting the entire Uzbek ICH. Currently, many ceramic schools are being revived (Shakhrisabz and Boysun), and marketing conditions are being established for master-made ceramic ware. Furthermore, a large number of the leading masters were granted prestigious titles, including folk masters, honored arts workers, and academicians.
National master ceramists have gained enormous social status, as well as a marked increase in interest in ceramic traditions in Uzbekistan and beyond. The popularization of the work of leading masters has noticeably intensified, and a number of museums and creative studios have been established, which opened in 2005 with the assistance of local authorities. The International Institute of Central Asian Studies has published a number of scientific publications, books, albums, articles, and practical manuals. Various traditional crafts, including ceramics, were restored through seminars and training led by foreign experts. |Subject=Art, Craftsmanship and Practices |Country=Uzbekistan |SDG=(08) Decent Work and Economic Growth, (09) Industry, Innovation and Infrastructure, (11) Sustainable Cities and Communities }}